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Graciela Paraskevaídis: Magma

Gewicht: g
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Magma

  • magma I
  • e desidero solo colori
  • huauqui
  • todavia no
  • un lado, otro lado
  • magma VII
  • dos piezas para pequeño conjunto
  • sendas
  • algún sonido de la vida

The selection of Graciela Paraskevaidis’ music in this CD contains compositions from different places between Bonn (Germany) and Montevideo (Uruguay) and different times between 1967 and 1993. The range of expression is enormous, from the drama and strength of Magma I (1967), for brass instruments; to the delicacy of E desidero solo colori (“And I wish only colors,” 1969) for chorus of twelve voices; to the experimental sounds in Huauqui (1975), composed with an analog synthesizer; to the dramatic sounds at the extreme ends of the piano keyboard in Un lado, otro lado (“One side, other side,” 1984), for piano; to the Vareseian use of sound and drama in Sendas (1992) for chamber ensemble, and Algun sonido de la vida (“A sound out of life”, 1993) for oboe. Paraskevaidis lives in Montevideo. She writes, “Technique, material, structure, contents, have to do with ideology. They always had. Also in music . . . Being aware of this history . . . can become a way of defending . . . the necessity of a free existence also through the challenge and risk of music creation.”

 

Kammerchor der Hochschule für Musik Freiburg
Mitglieder des Núcleo Música Nueva de Montevideo
Martine Joste, Klavier
Ensemble der Hochschule der Künste Berlin
Ensemble Aventure Freiburg
Marina Berta und Elvira Casanova, Oboe

 

Graciela Paraskevaídis: libres en el sonido

Gewicht: g
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libres en el sonido

  • libres en el sonido presos en el sonido (1997)
  • el nervo de arnold (1992)
  • pero están (1994)
  • solos (1998)
  • ... a hombros del ruiseñor (1997)
  • Dos piezas para oboe y piano (1998)
  • No qiero oír ya máz campanas (1995)

This CD includes seven works composed between 1992 and 1998. They are linked by a basic proposition which makes them akin in their chosen expressive elements and structural-timbrical scope. Moreover, it relates them to each other in a non explicit symbolic way, in their intention of starting from certain personal choices or contemporary events, without wanting to describe them musically.

 

Ensemble Aventure
Christoph Jäggin, Gitarre
Ensemble SurPlus
Susanne Huber, Flöte
Beatriz Balzi, Klavier
Mariana Berta, Oboe und Stimme
Renée Pietrafesa, Klavier und Stimme
Ensemble Instrumental du Centre Musical et Choréographique Erik Satie